KABHI ALVIDA NAA KEHNA MOVIE ONLINE MP3 SONG
If you are looking for Hindi MP3 song download, Saregama is the best place to find what you are looking for. There sure won’t be a person who is not touched by ‘ Ye Duniya Agar Mil Bhi Jaye to Kya Hai Song’ from ‘Pyaasa’ movie.
The Hindi gana also has the ability to make you think about social issues and worries. While listening to songs from movies like ‘Bobby’ and ‘Julie’, listeners imagine themselves to be dressed in cute western outfits of a bygone era. The beauty of Hindi songs is that they make you traverse time and go back into an era without smartphones and computers. The newer generations of Hindi film song lovers choose ‘Hume Tumse Pyaar Kitna’ and ‘Kuch Na Kaho’ to lure their partners. Romantics all over India have used songs like ‘Kaho Na Pyar Hai’, ‘Pyaar Hua Ikraar Hua’ and ‘Lag Ja Gale’ to express their love for their partners.
Whether it is a party or just a social gathering, you will find a Hindi Song to go with every occasion. K, Sonu Nigam and many more in Saregama’s immaculate Hindi audio song collection. Find Hindi songs by popular artists like Lata Mangeshkar, Kishore Kumar, Mohammad Rafi, Mukesh, Hemant Kumar, Alka Yagnik, Kumar Sanu, Arijit Singh, Shreya Ghoshal, Jagjit Singh, Chitra Singh, K. Spanning over several decades, this collection is sure to make you nostalgic. But, I can only hope that girls and women today have gone beyond age-old stereotypes to realise, search for and find what their hearts desire.A Vast Collection of Bollywood's Hindi Songs Only on SaregamaĪ lover of Hindi songs is in for a treat with Saregama’s expansive list of Hindi Song MP3 collection. Perhaps not – beyond the major metros and the urban educated set. Perhaps, today, more than a decade later, a younger film-going audience will grab instantly what Johar was trying to portray. Mitwa and Where’s The Party Tonight were on my phone’s song tunes for quite some time. The music, like in all Dharma Productions, was hummable, to say the least. Society needs many more of these minds to make a difference.
For the dignified lady chose to stay with her daughter-in-law and on his deathbed Sam urged his daughter-in-law to leave his son and seek happiness. Although both loved their offspring with parental dotage, their attitudes when the marriage unravelled were definitely not run-of-the mill. In supporting roles Amitabh Bachchan – as Sexy Sam, Rishi’s father – and Kirron Kher – as Kamaljeet Saran, Dev’s mother added their contribution to the development of the plot. If only many more women were like her – the no-nonsense tolerating kind. Hats off to Preity for so easily becoming the successful fashion magazine editor – a strong contemporary woman who courageously chooses to jettison her errant husband from her life. Shah Rukh – steering away from his popular Rahul and Raj avatars – brought the physically damaged ex-soccer player Dev to life, a frustrated man who is unable to tolerate the success of his wife Rhea (Preity Zinta). The actors played their roles with a fair degree of conviction. He explored the grey area of infidelity – and left it open to us, his audience, to interpret if, in this context, it was justified or not.
And Karan in his creative way showed us that. Logically, Maya and Rishi should have stayed together, produced good-looking kids (just look at their gene pool in the movie) and made for a fairy-tale ending. In its own way it proved that the heart has its reasons – and works in ways unknown to and unexplained by the human mind. The quadrangular relationship was interesting. I watched it, and I will not hesitate to say, more than once – and not just because I rarely miss a movie that has K-Jo’s name in its credits. Perhaps because a large part of the audience could not fathom why a married Maya Talwar (Rani Mukerji) could be attracted to an emotionally, battle-scarred Dev Saran (Shah Rukh Khan), especially when she was wedded to a much-in-love with her Rishi Talwar (Abhishek Bachchan). Perhaps because the movie dealing with marital discord and dissatisfaction was way ahead of its time (remember how Silsila was initially looked at with questioning eyes and then, years later, lauded as a thought-provoking movie ?) Perhaps because K-Jo, stepping out of his comfort zone of beautiful happy-ever-after relationships made audiences sit up and think of uncomfortable nuances in marriage. On August 11, 2006, Karan Johar’s cinematic offering Kabhi Alvida Naa Kehna (KANK) released – and drew a plethora of mixed reactions. It’s been 12 years since the controversial film released, Shraddha Jahagirdar-Saxena wonders how much has really changed today